The exact date of Dante’s birth is not known, although it is generally believed to be around 1265. This can be deduced from autobiographic allusions in La Divina Commedia, "the Inferno" (Halfway through the journey we are living, implying that Dante was around 35 years old, as the average lifespan according to the Bible (Psalms 89:10, Vulgate) is 70 years, and as the imaginary travel took place in 1300 Dante must have been born around 1265). Some verses of the Paradiso section of the Divine Comedy also provide a possible clue that he was born under the sign of Gemini – "As I revolved with the eternal twins, I saw revealed from hills to river outlets, the threshing-floor that makes us so ferocious", XXII 151-154), but these cannot be considered definitive statements by Dante about his birth. However, in 1265 the Sun was in Gemini approximately during the period 11 May to 11 June. His birth date is listed as "probably in the end of May" by Robert Hollander in "Dante" in Dictionary of the Middle Ages, volume 4. In summary, most students of Dante’s life believe that he was born between about the middle of May and about the middle of June 1265, but there is little likelihood a definite date will ever be known.
Not much is known about Dante’s education, and it is presumed he studied at home. It is known that he studied Tuscan poetry, at a time when the Sicilian School (Scuola poetica Siciliana), a cultural group from Sicily, was becoming known in Tuscany. His interests brought him to discover the Occitan poetry of the troubadours and the Latin poetry of classical antiquity (with a particular devotion to Virgil).
During the "Secoli Bui" (Dark Ages), Italy had become a mosaic of small states, Sicily being the largest one, at the time under Angevin rule, and as far (culturally and politically) from Tuscany as Occitania was: the regions did not share a language,[citation needed] culture or easy communications. Nevertheless, we can assume that Dante was a keen up-to-date intellectual with international interests.
Statue of Dante at the Uffizi, Florence
When he was nine years old he met Beatrice Portinari, daughter of Folco Portinari, with whom he fell in love "at first sight", and apparently without even having spoken to her. He saw her frequently after age 18, often exchanging greetings in the street, but he never knew her well; he effectively set the example for the so-called "courtly love". It is hard now to understand what this love actually consisted of, but something extremely important was happening within Italian culture. It was in the name of this love that Dante gave his imprint to the "Dolce Stil Novo" (Sweet New Style) and would lead poets and writers to discover the themes of Love (Amore), which had never been so emphasized before. Love for Beatrice (as in a different manner Petrarch would show for his Laura) would apparently be the reason for poetry and for living, together with political passions. In many of his poems, she is depicted as semi-divine, watching over him constantly. When Beatrice died in 1290, Dante tried to find a refuge in Latin literature. The Convivio reveals that he had read Boethius’s De consolatione philosophiae and Cicero’s De amicitia. He then dedicated himself to philosophical studies at religious schools like the Dominican one in Santa Maria Novella. He took part in the disputes that the two principal mendicant orders (Franciscan and Dominican) publicly or indirectly held in Florence, the former explaining the doctrine of the mystics and of Saint Bonaventure, the latter presenting Saint Thomas Aquinas’ theories.
At 18, Dante met Guido Cavalcanti, Lapo Gianni, Cino da Pistoia and soon after Brunetto Latini; together they became the leaders of the Dolce Stil Novo. Brunetto later received a special mention in the Divine Comedy (Inferno, XV, 28), for what he had taught Dante. Nor speaking less on that account, I go With Ser Brunetto, and I ask who are His most known and most eminent companions. Some fifty poetical components by Dante are known (the so-called Rime, rhymes), others being included in the later Vita Nuova and Convivio. Other studies are reported, or deduced from Vita Nuova or the Comedy, regarding painting and music.
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